Simulacra


reverse graffiti.
instead of using actual spray cans…some artist are just cleaning dirt off of certain areas to make their masterpieces. and they are calling it reverse graffiti. kind of brilliant.

reverse graffiti.

instead of using actual spray cans…some artist are just cleaning dirt off of certain areas to make their masterpieces. and they are calling it reverse graffiti. kind of brilliant.

(via forbiddenfruitz)

discoverynews:


The Earthquake Rose: When a magnitude 6.8 earthquake shook Olympia, Wash., in 2001, shopowner Jason Ward discovered that a sand-tracing pendulum had recorded the vibrations in the image above…

Read more (via Futility Closet)

discoverynews:

The Earthquake Rose: When a magnitude 6.8 earthquake shook Olympia, Wash., in 2001, shopowner Jason Ward discovered that a sand-tracing pendulum had recorded the vibrations in the image above…

Read more (via Futility Closet)

(via clusteringstars)

factsandchicks:

Baseball player Richie Ashburn hit a foul ball that struck a spectator and as they carried her away, he hit another foul ball and struck her again.
source

Oh…Oh god. that’s awful.

factsandchicks:

Baseball player Richie Ashburn hit a foul ball that struck a spectator and as they carried her away, he hit another foul ball and struck her again.

source

Oh…Oh god. that’s awful.

fuckyeahbookarts:

The Lost Sketchbook of Guillermo del Toro:

Filmmaker Guillermo del Toro put all his ideas for `Pan’s Labyrinth’ in a notebook — then lost it.

The heavyset man ran down the London street, panting, chasing the taxi. When it didn’t stop, he hopped into another cab. “Follow that cab!” he yelled. Guillermo del Toro wasn’t directing this movie. He was living it. And it was turning into a horror tale.

The Mexican filmmaker keeps all of his ideas in leather notebooks. And Del Toro had just left four years of work in the back seat of a British cab. Unlike in the movies, though, Del Toro couldn’t catch the taxi. Visits to the police and the taxi company proved equally fruitless.

Del Toro’s films — “Chronos,” “The Devil’s Backbone,” “Blade II,” “Hellboy” — typically feature magical realism. Fate was about to return the storytelling favor.

The cabbie spotted the misplaced journal. Working from a scrap of stationery that didn’t even have the name of Del Toro’s hotel (just its logo), the driver returned the book two days later. An overwhelmed Del Toro promptly gave him an approximately $900 tip.

The sketches and the ideas in that misplaced journal — four years of notes on character design, ruminations about plot — were the foundation of “Pan’s Labyrinth,” a child’s fantasy set in the wake of the Spanish Civil War.

The director, who at the time wasn’t even sure he’d actually make “Pan’s Labyrinth,” took the cabbie’s act as a sign, and plunged himself into the movie.

(via gutter-flowers)

dumpsterheathen:

Check out all this food for Food not Bombs today!

dumpsterheathen:

Check out all this food for Food not Bombs today!

(Source: gristle-v0mit)


We should make stuffing! Yes!

enochliew:

Crystal caves photographed by Carsten Peter
The geologic processes that create lead and silver also provide raw materials for these naturally occurring crystals in Mexico.

It is so humid in these caverns that people must wear special suits and then can only stay in for an hour or two.

enochliew:

Crystal caves photographed by Carsten Peter

The geologic processes that create lead and silver also provide raw materials for these naturally occurring crystals in Mexico.

It is so humid in these caverns that people must wear special suits and then can only stay in for an hour or two.

gutter-flowers:

kara come back 

RIP preferablypurple

gutter-flowers:

kara come back 

RIP preferablypurple

skeletales:

Generally, people don’t look forward to getting caught in the rain or stuck in a snowstorm, but photographer Christophe Jacrot makes it seem like an incredibly beautiful experience. The French photographer’s body of work features several images of huddled pedestrians walking along soaked streets and ivory coated paths trying to withstand the weather. Jacrot romanticizes the rain, turning the soggy into the stunning. Some of his shots depicting reflective puddles are even reminiscent of Gavin Hammond’s London in Puddles.

The photographer says, “In my opinion, there are two ways of capturing the world for a photographer; on the one hand grasping its horror, and on the other sublimating it. I have chosen the second. More specifically, I like the way rain, snow and ‘bad weather’ awaken a feeling of romantic fiction within me.

(via forbiddenfruitz)